A 50-year retrospective
of one of the least known, first
rate American artists, Ken Price, recognized for his fired and
painted clay ceramic work, opens at the Los Angeles County Museum of
Art (LACMA).
Organized by LACMA's
senior curator of modern art Stephanie Barron, the exhibit features
Ken Price's abstract sculptures creatively accentuated by his close
friend, Pritzker Prize-winning architect Frank O. Gehry who designed
the settings and lighting.
Linking minimalism and postmodernism abstract art, Ken Price infuses color and form like no other artist, drawing the viewer closer towards the depth, color composition and shape from different vantage points.
Strongly influenced by
his ceramic artist teacher Peter Voulkos, Price studied also with
Billy Al Bengston, John Mason, Mike Frimkess, Paul Soldner, Henry
Takemoto, and Jerry Rothman.
This retrospective is
bitter sweet since Ken Price, involved in every stage of the
exhibit's planning and installation, past away this year in February.
Presented in reverse
chronological order, the exhibit's first gallery displays the mottled
sculptures for which the artist is most well-known, from 2000 to
2011, consisting of sculpture surfaces sanded through roughly seventy
layers of vibrant colors.
On view in the last gallery are the artist's last three works as well as three of the Happy's Curios series (1972 to 1977), an homage to Mexican pottery, named after Ken's wife, Happy.
Original and compelling, this retrospective is a great tribute to an American artist who redefined contemporary sculptures.
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