Friday, October 29, 2010

Nora's Will




First time writer director Mariana Chenillo's award winning dark comedy, Nora's Will, is a journey of self discovery, understanding and love.

The table is set, the coffee is ready, the cooking instructions are posted on each item. Nora (Silvia Mariscal) has died and her ex-husband of 20 years, José (Fernando Luján) is left to take care of her funeral arrangements. Manipulated by a diabolical scheme designed by his ex, José rebels against following her wishes. Further burial complications arise by the upcoming Passover, the circumstances of Nora's death, the absence of their son Rubén (Ari Brickman), and even Nora's maid, Fabiana (Angelina Peláez). Surmounted with guilt and revenge, turmoil ensues with Jose undergoing the most transformation.

Chenillo perfectly maps out every scene. Expertly enhanced by Alberto Anaya Adalid's cinematography, Darío González' music, and by the realistic acting, the viewer is drawn into the ensuing drama buildup and satiric battle of wills.



Friday, October 15, 2010

Conviction

Hilary Swank and Sam Rockwell in CONVICTION; Photo by Ron Batzdorff

Director Tony Goldwyn brings to the big screen the remarkable true story of Betty Anne Waters (Hilary Swank) who gave her all to exonerate her brother Kenny Waters (Sam Rockwell), convicted in 1983 to a life sentence without parole for a murder he did not commit.

Flashbacks reveal Betty Anne and Kenny's traumatic childhood and early adulthood all the way to Kenny's arrest. Convinced of his innocence and determined to fight the system, Betty Anne embarks on an 18-year journey, completing high school, college, and eventually law school to overturn her brother's guilty verdict. Minnie Driver stars as Betty Anne's best friend Abra Rice who proves to be a great help in pulling together the needed evidence along with attorney Barry Scheck (Peter Gallagher).

The strength of the movie lies in the stellar cast. Hilary Swank delivers one of her strongest performances since 'Million Dollar Baby' while Sam Rockwell excels in the challenging role of Kenny Waters, a man with extreme contrasts from a reckless kid to a hardened prisoner.

The feature's authentic feel is captured through DP Adriano Goldman's (Sin Nombre, City of Men) handheld camerawork as well as Mark Ricker's production design of the mid '60s, early '80s, and mid '90s.

Betty Anne's bravery in her quest for justice, and the unique and unbreakable bond she shared with Kenny adds intensity and emotional depth to this engaging and uplifting drama.


Friday, October 8, 2010

Secretariat



Based on a true story, this uplifting and heartwarming family movie is about Secretariat, the triumphant thoroughbred considered by many to be the greatest racehorse of all times.

Diane Lane delivers a graceful performance as Penny Chenery, a Denver housewife and a mother of four who, despite opposition from her skeptical lawyer husband Jack Tweedy (Dylan Walsh) and brother Hollis Chenery (Dylan Baker), takes over, upon the death of her father Chris (Scott Glen), the family horsebreeding business. Through a coin toss with wealthy financier Ogden Phillips (James Cromwell) Penny ends up with Secretariat, known to family and friends as Big Red, the amazing horse who in 1973 made history by winning the first Triple Crown in 25 years.

Penny starts pulling things together by seeking the help of veteran French Canadian trainer Lucien Laurin (John Malkovich), jockey Ronnie Turcotte (real-life jockey, Otto Thorwarth), Secretariat's groom Eddie Sweat (Nelsan Ellis), and her father's supportive assistant Miss Ham (Margo Martindale).

Compelling performances are delivered by the stellar cast with Malkovich providing most comic relief in his portrayal of the eccentric trainer dressed in loud colors.

The horse race scenes are exciting to watch. Director Randall Wallace carries the viewers to the track making the horse races feel thrilling and real. DP Dean Semler makes use of several closeup shots bringing the audience eye to eye with Big Red. By placing at the end of a stick a small lightweight camera, or Ollie cam, Semler brilliantly captures the energy and spirit of the race getting closer to the track and inches away from the pounding hoofs, heaving torsos and churning legs all the way to Secretariat's victory.

Friday, October 1, 2010

Douchebag


In this low budget feature, the 27 year-old director, Drake Doremus (Spooner, Slamdance 2009), captures the feeling of awkwardness between two different and ordinary-looking brothers. Co-writing the script with Lindsay Stidham, Jonathan Schwartz, and Andrew Dickler, Doremus adds humor to the realistically raw and snappy dialogue, as well as to the natural and believable performances.

The overconfident, hippie-looking and devout vegetarian, Sam (Andrew Dickler), is about to marry his beautiful fiancee Steph (Marguerite Moreau).

Increasingly concerned that his shy brother Tom (Ben York Jones), a clean-cut, artist-wannabe, and in Sam's eyes, a complete loser, doesn't have a date for the wedding, Sam suggests that they both go on a road trip to search for Tom's mysterious last flame from fifth grade.

The feature gains steam in midsection with subtle and gradual shifts in the characters' dynamics.

Doremus effectively engages the viewer through the fine line between going towards and running away from something.


Sunday, September 26, 2010

YOU AGAIN

Characters who find their way to a place of forgiveness and acceptance is at the center of this family comedy. You Again features an all star female cast, including Kristen Bell, Jamie Lee Curtis, Sigourney Weaver, Odette Yustman, Kristin Chenoweth and Betty White.

Bell stars as Mami, a successful PR who discovers that her brother Will (James Wolk) is marrying her high school arch nemesis Joanna (Odette Yustman). The untenable situation goes from bad to worse as the rivalry extends to other characters spanning three generations.

First time screenwriter Moe Selline wrote the script You Again from an idea based on her own life experience. The theme is exciting and the story unfolds with several surprising cameo appearances. Great performances infuse the characters with comedy and heart but Betty White steals every scene.

With its universal appeal and lots of laughter, You Again is a movie you will want to see multiple times.

Tuesday, September 21, 2010

The Lynda and Stewart Resnick Exhibition Pavilion at LACMA


The much anticipated Lynda and Stewart Resnick Exhibition Pavilion at Los Angeles County Museum of Art (LACMA) opens on October 2, 2010. It is named after two of the world's leading arts philanthropists whose wide-ranging charitable interests span from medical research to education.

“The facility is unlike almost any in the world” states LACMA CEO and Wallis Annenberg Director Michael Govan, it “improves and expands LACMA’s exhibition galleries, freeing up space to show more of our permanent collection.”

Designed by Italian architect Renzo Piano, the single-story, 45,000-square-foot structure is the largest purpose-built, naturally lit, open-plan museum space in the world. The Resnick Pavilion is a glass and stone-enclosed structure sited immediately north of the Broad Contemporary Art Museum (BCAM), which opened in February 2008.

A cornerstone of Phase II of the museum’s Transformation, the new building complements BCAM architecturally. Both BCAM and Resnick Pavilion feature roof and ceiling elements that flood the galleries with natural light. Resnick Pavilion is also designed with flexibility allowing for the presentation of multiple exhibitions simultaneously as well as large-scale works of art.

Creating an indoor/outdoor effect are the glass-clad northern and southern walls of the building, while the eastern and western walls are covered with travertine marble that originate from the same quarry as the marble used on BCAM’s facade.

“With its enlightening exhibitions and expanding collections, LACMA has truly emerged as a world-class museum. Stewart and I are pleased to make a contribution that builds upon the growing momentum at the institution while also contributing to the cultural vitality of a major twenty-first century art capital” states Lynda Resnick.

The trio of exhibits inaugurating the Resnick Pavilion are: Eye for the Sensual: Selections from the Resnick Collection; Olmec: Colossal Masterworks of Ancient Mexico; and Fashioning Fashion: European Dress in Detail, 1700-1915.

The Eye for the Sensual Selections from the Resnick Collection features approximately 125 European paintings, sculptures from the sixteenth to the nineteenth century, and decorative arts.

Highlights include Queen Marie-Antoinette's portrait by Elisabeth-Louise Vigée-Lebrun; Jacob Jordaens’s Revel of Bacchus and Silenus, executed by the artist while still in his twenties; and sculptures by artists such as Clodion and Jean-Antoine Houdon.

Eye for the Sensual is curated by J. Patrice Marandel, LACMA’s Robert H. Ahmanson Chief Curator of European Art, and Bernard Jazzar, Curator of the Lynda and Stewart Resnick Collection.

Coinciding with Los Angeles celebrations of the bicentennial of Mexico’s independence and the centennial of the Mexican revolution is Olmec: Colossal Masterworks of Ancient Mexico. It is the first West Coast presentation of colossal works and small-scale sculptures produced by Mexico’s earliest civilization, which began around 1400 BC and was centered in the Gulf Coast states of Veracruz and Tabasco.

Olmec architects and artists produced the earliest monumental structures and sculptures on the North American continent, including enormous basalt portrait heads of their rulers, which can weigh up to twenty-four tons.

Small-scale jadeite objects, which embody the symbolism of sacred and secular authority among the Olmec, attest to the long-distance exchange of rare resources that existed as early as 1000 BC, and Olmec artists were unsurpassed in their ability to work this extremely hard stone with elementary tools of chert, water, and sand.

Olmec is co-organized by Mexico’s Instituto Nacional de Antropología e Historia, LACMA, and the Fine Arts Museums of San Francisco, and is curated at LACMA by Virginia Fields, senior curator of Arts of the Ancient Americas.

LACMA's first public presentation of its recent acquisition, Fashioning Fashion: European Dress in Detail, 1700-1915 examines fashion’s sweeping aesthetic and technical developments in luxurious textiles, exacting tailoring techniques, and lush trimmings that occurred over 200 years, from the Age of Enlightenment to World War I.

The major collection of European garments and accessories features an eighteenth-century man’s vest intricately embroidered with powerful symbolic messages relevant to the French Revolution; an evening mantle with silk embroidery, glass beads, and ostrich feathers designed by French couturier Émile Pingat (active 1860-96); and spectacular three-piece suits and gowns worn at the royal courts of Europe.

Fashioning Fashion is curated by Sharon S. Takeda, department head and senior curator, and Kaye D. Spilker, curator, Costume and Textiles at LACMA.

Los Angeles County Museum of Art (LACMA) is located at 5905 Wilshire Boulevard, Los Angeles, CA 90036. For more information call (323) 857-6000 or visit www.lacma.org

Monday, September 13, 2010

Heartbreaker (L'arnacoeur)

Romain Duris as Alex and Vanessa Paradis as Juliette in HEARTBREAKER 
directed by Pascal Chaumeil. Photo Credit: Magali Bragard An IFC Films release

Set against the beautiful backdrops of Morocco and Monaco, screenwriters Laurent Zeitoun, Jeremy Doner, and Yoann Gromb combine French comedy, romance, espionage and action.

The ravishing heiress Juliette Van Der Becq (Vanessa Paradis) is about to marry the Brit jet setter Jonathan (Andrew Lincoln) in 10 days. Her father, millionaire industrialist Van Der Becq (Jacques Frantz) hires Alex Lippi (Romain Duris) and his professional couple-wrecker spy agency to break them apart. Operation Juliette, however, soon proves to be a real challenge.

The feature's success lies in the talented performances of Duris and Paradis. Duris, one of the top actors in Europe , anchors the leading part effortlessly with strategic tears and poetic talk that don't fail. There are a lot of great scenes. The one where Alex proves his utility as a bodyguard and retrieves Juliette's car and purse is awesome. While working for the spy agency, Mélanie (Julie Ferrier) and Marc (François Damiens) provide great comic relief.

Director Pascal Chaumeil allows the story to develop rapidly with interspersed laughter and crisp lines scene after scene.